At long last I'm finished with this! My goal was to create a highly accurate tanto, with all the bells and whistles, as well as experiment with some painting techniques. All I can say is I think I've put more work into this little thing than any katana I've done! Anyways, I won't bore you with all the details and whatnot, but I did want to point out a few highlights. First is my first time ever using menuki, which is that small charm in the wrapping. Also, this is the first time I've used an endcap, and therefore the first time I've used this endknot on the tsukamaki.
As for the painting, I tried working with the paint to create some effects. The first effort was the tsuba, where I used various shades of blue for the shading. And then I tried with the saya to create a ghostly portrait of a village hidden in the mountains shown on the tsuba. The saya designs were based on Japanese paintings. Overall, I tried to keep a unified design, and create a very peaceful, delicate feeling for it.
Well, thanks everyone for all the comments on the previews, I appreciate the feedback and it helps me tremendously. Please feel free to critique the final as well, I love to chat about design and the like. And if you see any flaws, by all means point them right out!
Specs.
All work (except menuki) is handcarved with absolutely no power tools, using a utility knife, chisel, and handsaws.
All pieces are made of white pine wood. 16" overall length 11" blade / 5" handle Painted with acrylic paints Menuki is sterling silver Sori is 3/8" Ito is 1/4" wide
Overall, excellent work. There are a few places that need touching up, but that's for overly critical people to notice. The whole blade itself gives off a serene feel to it as if it doesn't need to kill to live.
-- "I see the light... and IT BURNS!!" "The hardest burden to bear is loneliness, because there's no one to help you carry it." "Once you face me, there's no turning back!" -- 瞬獄殺!
I can't think of any critique to give that you probably haven't noticed already.
This looks beautiful, and your work and paid off well. My favorite shot is off the endcap where it's showing the symbol, and the sheath is soft-focused in the background.
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The rest of you may hate your insomnia, but I'm not sure I want a cure for mine. That's when I get all my best ideas. I'm alone, ocassionally, no distractions. My mind is racing with creative ideas and come 3 AM I feel like a genius.~Theo, The Haunting
Ah, but I am overly critical! Which places did you mean? I know I need to touch up the endcap a little, and one spot on the saya, but did you notice something different? And thank you, I'm glad it does give you that serene feel!
Thank you so much! I'm glad you like it. And that shot is one of my favorites too. This was one of those times where I take wayyyy too many shots of my work, and then have to pick like 6 or 7 good ones out of maybe 70. Oi vey. Thanks again!
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The rest of you may hate your insomnia, but I'm not sure I want a cure for mine. That's when I get all my best ideas. I'm alone, ocassionally, no distractions. My mind is racing with creative ideas and come 3 AM I feel like a genius.~Theo, The Haunting
There's only one tiny spot on the sheath that needs to be colored in. Other than that, it's perfect.
-- "I see the light... and IT BURNS!!" "The hardest burden to bear is loneliness, because there's no one to help you carry it." "Once you face me, there's no turning back!" -- 瞬獄殺!
Captain, I am truly amazed by your hard work. This is probably the best sword you've ever made, it has that nice feel to it. Loving the ito!~ And the menuki, nice idea. I think I have some of those metal feathers lying around someplace over here, maybe I should start doing a more traditional approach to my swords. Oh yeah, nice symbol on the cap end, I see that you've changed your icon to match it with the blues. Overall, perfect sword.
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Daily Literature Deviations is a group that is dedicated to bringing literature to the forefront of the deviantArt community. We attempt to accomplish this by daily featuring Literature artists from around the community that deserve the recognition, but are not getting it.
Each day we will feature 5 deviations from the Literature categories in a News Article. In order to support the artists that we feature, we ask that you the news article as well as check out the individual pieces. We understand that each day you may not be able to check out each and every one of the pieces, everyone has their own things going on. We just ask that you make an attempt to help support the growing Literature community.
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Comments
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"I see the light... and IT BURNS!!"
"The hardest burden to bear is loneliness, because there's no one to help you carry it."
"Once you face me, there's no turning back!"
--
I can't think of any critique to give that you probably haven't noticed already.
This looks beautiful, and your work and paid off well. My favorite shot is off the endcap where it's showing the symbol, and the sheath is soft-focused in the background.
--
The rest of you may hate your insomnia, but I'm not sure I want a cure for mine. That's when I get all my best ideas. I'm alone, ocassionally, no distractions. My mind is racing with creative ideas and come 3 AM I feel like a genius.~Theo, The Haunting
--
The rest of you may hate your insomnia, but I'm not sure I want a cure for mine. That's when I get all my best ideas. I'm alone, ocassionally, no distractions. My mind is racing with creative ideas and come 3 AM I feel like a genius.~Theo, The Haunting
--
"I see the light... and IT BURNS!!"
"The hardest burden to bear is loneliness, because there's no one to help you carry it."
"Once you face me, there's no turning back!"
--
The attention to detail is so high.
I love the natural blade aswell, looks amazing.
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Projects Complete:
Links Master Sword
Benihime Shikai
Seele Schneider
Unnamed Katana
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~Fourth-Dan Swordmaker~
Member of ~Soul-Slayers
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#CornPopLabs visit cornPopLabs : D
Love all those finishing touches u gave it! U'll have so many details to look at.
Awesome dude! Keep it up!
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